4 collections related to Architectural drawings

The D. J. Rose and Son Architectural Drawings and Project Files consist of architectural drawings, project files, blueprints, and other materials relating to the construction projects of D. J. Rose and Son. These materials date from approximately 1907 to 1970. The hundreds of rolls of architectural drawings include works by some of North Carolina's leading architects, such as Benton and Benton of Wilson, North Carolina, John C. Stout of Rocky Mount, NC, and Joseph F. Leitner of Wilmington, NC. The collection also contains materials relating to the business operations of D. J. Rose and Son, including bank statements, receipts, invoices, personal journals, and correspondences. David Jeptha Rose (1861-1940) was a lifelong builder who moved from Johnston County to Rocky Mount in 1890. Rose established D. J. Rose and Son which is the oldest continuously operating general contracting firm in North Carolina. Rose's sons, Ira Woodall Rose and Dillon Jeptha Rose, joined the firm in 1930. After Rose's death in 1940, Ira and Dillon led the opeations of the company. The company completed construction projects not only in Rocky Mount, but throughout the eastern United States. Among their construction projects were textile and tobacco mills, banks, courthouses, railroad stations, power plants, hospitals, churches, and many other commercial and residential buildings. They worked with clients such as Carolina Telephone and Telegram, Atlantic Coastline Railroad, financial institutions, and pharmaceutical companies. The year 2015 marked D. J. Rose and Son's 125th anniversary. Less

The Leslie N. Boney Architectural Papers document the work of Wilmington, North Carolina, architects Leslie N. Boney Sr., and Leslie N. Boney Jr. from projects done in conjunction with architect James F. Gause in the 1920s through projects of Boney Architects, Inc., in the 1980s. Educational institution plans make up a significant portion of the project files in this collection, representing schools from the elementary through university levels. The firm's architectural projects also include churches, banks, residences, offices, libraries, and retail establishments. The vast majority of these buildings are located in North Carolina, especially in the eastern part of the state, though a small number of South Carolina projects are included as well. These project files include correspondence, inspection reports, drawings, blueprints, project specifications, photographs, contracts, and bid data and forms. Personal papers of Leslie N. Boney Sr., make up a small part of this collection, and include copies of textiles, chemistry, and English exams dating from 1901 to 1903, belonging to Leslie N. Boney Sr., C. L. Creech, and O. Max Gardner. A copy of Boney Sr.'s account of the 1901 fire that destroyed NC State University's original Watauga Hall, as printed in the 1903 Agromeck, is also included. North Carolina native Leslie N. Boney Sr. (1880-1964) graduated from the North Carolina College of Agriculture and Mechanic Arts (later North Carolina State University) in 1903 with a degree in textile engineering. Boney joined Wilmington architect James F. Gause as a partner in practice in 1918, then took over the practice in 1922, upon Gause's retirement. Boney's eldest son, Leslie N. Boney Jr. (1920-2003), joined his father's practice after graduating from the College of Engineering at North Carolina State College of Agriculture and Engineering (later North Carolina State University) in 1940 with a Bachelor of Science in Architectural Engineering. Boney Jr. served in the Army Corps of Engineers during World War II, earning the rank of major, and returned to his family's architectural practice following the war. Boney Jr. was a Fellow of the American Institute of Architects, served as president of North Carolina's chapter of the American Institute of Architects, and was a recipient of North Carolina State University's prestigious Watauga Medal in 1996. Less

The North Carolina Buildings Collection includes drawings, specifications, construction contracts, and correspondence relating to individual buildings in North Carolina. Unbuilt projects are included. The finding aid contains a description for each project, including the name of the architect(s), a brief description of the project, and an inventory of documents. Projects are arranged by type of building. The late 19th century saw radical changes in building practices in North Carolina, brought about by the rise of professional architects and contractors, increased industrialization, and the standardization of building components. Population booms between 1900 and 1940 precipitated increased construction, and suburbs emerged where major cities doubled or tripled their populations during this period. Increasingly, professional architects were responsible for the design of housing, as well as commercial, industrial and civic buildings. In 1905, North Carolina became one of the earliest states to enact a uniform building code. The North Carolina Architectural Association (NCAA) was formed by a group of Charlotte architects in 1909. Their aims were ultimately to form a North Carolina Chapter of The American Institute of Architects (AIA) and to promote the passage of an architectural Practice Act Bill in the General Assembly. The North Carolina Chapter of AIA, chartered in 1913, regulated fees to eliminate unfair competition and provided a code of ethics for professional standards. The Practice Act Bill, ratified in 1915, provided for the examination and licensing of architects. A similar "Act to Regulate the Practice of General Contracting," passed in 1925, regulated the construction industry. Regulation of architectural and building industries led to increased uniformity in working drawings and specifications for buildings, as national industry standards for drafting and construction were followed. Still largely rural and conservative following World War II, North Carolina nevertheless made rapid economic and architectural progress. The 1950s found the state on the cutting edge of architectural development, as the internationally renowned faculty of the School of Design at North Carolina State College vigorously promoted modernism as the only "correct" style. Modernism was embraced for governmental and institutional buildings, while housing remained, for the most part, rooted in traditional forms. Less